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New album ‘COMALA’ available now!

The last twang has been twanged, the last sax has been honked and as the last echoes die down in the studio the brand new Wes McGhee album is finally finished!
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Wes’ constant battle with emphysema has slowed down the making of this album considerably, but those who’ve heard these 14 brand new tracks say it’s been well worth the wait. Musically on a par with his classic ‘Landing Lights’ and ‘Zacatecas’ albums and lyrically probably his best yet. Although packed with references to the passing of time and its inevitable losses, this is by no means a navel-gazing downbeat affair. Who else but McGhee would set a song about his ailments to an upbeat swing blues tune?
Accompanied by long time band mates John Gordon (bass), Maurice McElroy (drums & percussion), Al Stewart (saxes), Simon Webb (keyboards) and Patty Vetta and Barty (vocals), Wes plays a host of guitars, oud, mandolin, bajo sexto, harmonica, banjo, dobro and keyboards and with influences as diverse as blues, swing, flamenco and tex-mex all melded into the familiar McGhee sound, this one’s a winner all the way.
The album kicks off with an Arabian oud playing a blues (‘the weirdest thing I could think of’ says Wes) and ends with a poignant tribute to Dermot O’ Connor, long time band member, who we sadly lost last year (2015). Wes and Dermot had planned to record together again but both had serious health issues and when it became clear that it wouldn’t be possible, Dermot asked Wes to write him a song. A promise is a promise and the song recalls their days in Texas when a break from recording or gigging meant a chance to head for the Mexican border and maybe drink a tequila or three.
Two paintings by David Zettner on the CD cover make this a classy looking package. David and Wes toured together many times in Europe and the US with Kimmie Rhodes and on Wes’ 3CD retrospective ‘BORDERS’ David plays steel on tracks that were recorded at Willie Nelson’s studio in Pedernales Texas. Sadly, David is no longer with us. He was a fine musician on guitar, pedal steel and bass, a wonderful artist and a good friend to Wes.

The album will be released in March 2017 but is available from this website now.
Accompanied by long time band mates John Gordon (bass), Maurice McElroy (drums & percussion), Al Stewart (saxes), Simon Webb (keyboards) and Patty Vetta and Barty (vocals), Wes plays a host of guitars, oud, mandolin, bajo sexto, harmonica, banjo, dobro and keyboards and with influences as diverse as blues, swing, flamenco and tex-mex all melded into the familiar McGhee sound, this one’s a winner all the way.
The album kicks off with an Arabian oud playing a blues (‘the weirdest thing I could think of’ says Wes) and ends with a poignant tribute to Dermot O’ Connor, long time band member, who we sadly lost last year (2015). Wes and Dermot had planned to record together again but both had serious health issues and when it became clear that it wouldn’t be possible, Dermot asked Wes to write him a song. A promise is a promise and the song recalls their days in Texas when a break from recording or gigging meant a chance to head for the Mexican border and maybe drink a tequila or three.
Two paintings by David Zettner on the CD cover make this a classy looking package. David and Wes toured together many times in Europe and the US with Kimmie Rhodes and on Wes’ 3CD retrospective ‘BORDERS’ David plays steel on tracks that were recorded at Willie Nelson’s studio in Pedernales Texas. Sadly, David is no longer with us. He was a fine musician on guitar, pedal steel and bass, a wonderful artist and a good friend to Wes.

The album will be released in March 2017 but is available from this website now.
And finally:-

What is a ‘Comala’? … is it

(a) A cosmic anomaly
(b) An extinct flightless fish
(c) A cuddly antipodean bear
(d) All of the above

The correct answer is … none of the above!
Let Wes explain from the sleeve notes in the CD booklet …
And finally:-

What is a ‘Comala’? … is it

(a) A cosmic anomaly
(b) An extinct flightless fish
(c) A cuddly antipodean bear
(d) All of the above

The correct answer is … none of the above!
Let Wes explain from the sleeve notes in the CD booklet …
COMALA
In 1955 a book appeared by Mexican author Juan Rulfo entitled ‘Pedro Paramo’. It was a book that was to inspire a generation of Latin American writers, the precursor of the genre that came to be known as ‘magical realism’. Gabriel Garcia Marquez said that ‘Pedro Paramo’ was the book
he’d most like to have written.

The story unfolds in the Mexican desert town of Comala , a place so hot, Rulfo tells us, that if someone dies and goes to hell they come back to get a blanket. Comala, it transpires, is deserted, a town inhabited by the ghosts and spirits of the past.
The story unfolds in the Mexican desert town of Comala , a place so hot, Rulfo tells us, that if someone dies and goes to hell they come back to get a blanket. Comala, it transpires, is deserted, a town inhabited by the ghosts and spirits of the past.

This album I guess is my Comala. So … for the ghosts of the miles and the trials and occasional smiles that were around for a while, then just slipped out of style - and were gone! One more time.

WMcG
October 2016
In 1955 a book appeared by Mexican author Juan Rulfo entitled ‘Pedro Paramo’. It was a book that was to inspire a generation of Latin American writers, the precursor of the genre that came to be known as ‘magical realism’. Gabriel Garcia Marquez said that ‘Pedro Paramo’ was the book
he’d most like to have written.

The story unfolds in the Mexican desert town of Comala , a place so hot, Rulfo tells us, that if someone dies and goes to hell they come back to get a blanket. Comala, it transpires, is deserted, a town inhabited by the ghosts and spirits of the past.
The story unfolds in the Mexican desert town of Comala , a place so hot, Rulfo tells us, that if someone dies and goes to hell they come back to get a blanket. Comala, it transpires, is deserted, a town inhabited by the ghosts and spirits of the past.

This album I guess is my Comala. So … for the ghosts of the miles and the trials and occasional smiles that were around for a while, then just slipped out of style - and were gone! One more time.

WMcG
October 2016

Wes and Dermot in full flight, back in the day!

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Here's a happy snap of Wes at the Juan Breva Flamenco Museum in Malaga, admiring guitars that belonged to Juan Breva - one of the few flamenco singers who accompanied himself on guitar - and the Granada poet Federico Garcia Lorca.
BEAD MOUNTAIN, BAD ROADS AND BORDERS
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A new 3-CD retrospective collection from the back pages of Wes McGhee. Re-mastered and presented in a classy digipac, containing the double CD "Bead Mountain, Bad Roads and Borders", a homage to Roxy Gordon and Texas, plus Bonus CD "Scars, Bars and Red Guitars" and a booklet with extensive background notes and credits.

Lyrics for all 43 songs are currently available on this website.

Just click on
SHOP and be the first kid on your block to get a copy. Even if you already own some of these tracks, you never heard 'em like this before!
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